100 Best Trucking Songs Mp3 Download
How do y'all brand a sprawling list of 100 tunes seem criminally curt? Endeavour to clasp the greatest country songs of all fourth dimension into that infinite.
As we considered a century's worth of story-driven songcraft, we did our darndest to make certain all of the greats were recognized. And when nosotros say "of all fourth dimension," we meanall time.
Every era is reflected here, from the Carter Family and Jimmie Rodgers' historic recordings to the reign of the "Nashville Sound," outlaws, singing cowboys and pop crossovers.
And before you milkshake your fists and grumble furiously near how the list forgot "Friends in Low Places" or gave "ix to 5" the brusk stick, let'south establish one basic rule: I song per artist, with the exception existence duets.
One song from Greenbacks. I song from Garth. And, yeah, as tough as it can be, only one song from Dolly.
Now, dust off your turntable (or boot up Spotify) and travel through 100 of the greatest tracks to come up from Music City, Bakersfield and beyond.
Agree or disagree? Nosotros want to hear from you:Join united states on Reddit at 12 p.m. CDT Tuesday, Aug. 27 for an AMA with the writers who compiled this list
State MILE:Artists, songs and lyrics take united states through the rich history of country music
Dolly Parton — "Jolene"
Evocative and woeful, Parton'south marquee recording crosses genre and generations — a one time-in-a-world song without boundaries.
Tim McGraw — "Alive Similar Yous Were Dying"
McGraw's 2004 ballad reminds listeners to love deeper, speak sweeter and give forgiveness that you've been denying.
Tammy Wynette — "Stand Past Your Man"
Five decades removed from hitting airwaves, and country music faithful still stand alpine for Wynette and her booming chorus.
Brad Paisley and Alison Krauss — "Whiskey Lullaby"
It's known for its layered, mournful instrumentation, simply information technology'south the ballad's devastating storytelling and Paisley's ability to softly serenade that makes "Whiskey Lullaby" one of country's best modernistic cuts.
Alan Jackson — "Where Were You (When the Earth Stopped Turning)"
The state music Grade of 1989 returns to the best list, this fourth dimension request a question in the shadow of a generation-defining event.
Patsy Montana — "I Desire to be a Cowboy's Sweetheart"
In 1935, this jaunty tune became the first country vocal by a female artist to sell more than 1 one thousand thousand copies. It's since been covered by everyone from Patti Page to Cyndi Lauper and Phish.
Clint Black — "Killin' Time"
On his 1989 chart-topper, Black tried — and failed — to drink a woman off of his mind.
Eric Church — "Springsteen"
Church expertly captures a fleeting feeling chased past all musicians — like the chorus says, "Sometimes a melody sounds similar a memory."
Chris Stapleton — "Tennessee Whiskey"
With a rough but welcoming warmth, Stapleton croons a rendition of this country classic that'due south worth toasting for years to come.
George Jones — "He Stopped Loving Her Today"
The years go slowly by, only Jones still preys upon our minds.
Deanna Carter — "Strawberry Wine"
A commercial and critical success still filling Lower Broadway taverns with a chorus that offers "My first taste of love, oh bloodshot."
Kenny Rogers and Dolly Parton — "Islands in the Stream"
One of the biggest pop-country crossovers in history, the beloved duet has lived on through remixes and constant karaoke rotation.
The Judds — "Why Not Me"
With the title rails of their debut album, female parent and girl Naomi and Wynonna Judd made their instance for beingness the biggest land duo of the '80s.
Conway Twitty — "Hi Darlin' "
This self-penned tune became Twitty's signature song, about a guy who can't get over the woman he wronged and lost.
Loretta Lynn — "Coal Miner'due south Daughter"
A vocal, a moving-picture show and a mode of life for a generation raised on Lynn's working-form honesty.
Kris Kristofferson — "Dominicus Morning time Coming Downwards"
Greenbacks made it famous, merely no vocal may better exemplify the power and bear on of Kristofferson's pen.
Don Williams — "Expert Ole Boys Like Me"
During the song'south 1980 release and beyond, Williams explains why "nosotros're all gonna be what we're gonna be."
Jimmie Rodgers — "Blue Yodel (T for Texas)"
Recorded more than 90 years ago, "T for Texas" is considered by many to be the premier song from a blueish yodelin' father to the genre.
Carter Family — "Tin the Circle Be Unbroken (By and By)"
A torch-bearing call for land music that's still celebrated on stages today.
Ray Price — "Heartaches past the Number"
It spent xl weeks on Billboard's Hot Country Songs chart and sixty years at the peak of mind for 1950s country classics.
Rosanne Greenbacks — "Seven Year Ache"
Covered in drum loops and 1980s synthesized product, it's Rosanne Cash'south sorrow that stands the test of time.
Steve Earle — "Guitar Town"
A human foot-stomping country-rock tribute to wanderlust down a lost highway.
Erstwhile Crow Medicine Prove — "Wagon Wheel"
Sure, Darius Rucker made information technology a striking, but trivial comes close to experiencing Old Crow howling this singalong for thousands of invested onlookers.
Jeannie C. Riley — "Harper Valley PTA"
A fictional Tennessee scandal that took Riley to the pinnacle of Billboard'south Hot 100 chart.
Miranda Lambert — "The House That Built Me"
The fastest-rising single of Lambert'south career remains a haunting exploration of her music'due south ability to resonate for repeated listens.
Kitty Wells — "It Wasn't God Who Made Honky Tonk Angels"
Two-and-a-one-half minutes of truth that launched a career for this Tennessee legend.
Jerry Reed — "Eastbound and Downward"
Country music's best addition to soundtrack catechism? Mayhap — it'south the most lively, at to the lowest degree.
Roger Miller — "King of the Road"
A soft tap on the bass, a snap of the finger and Miller's off to croon listeners with his 1964 vagabond tale.
Waylon Jennings and Willie Nelson — "Mammas Don't Let Your Babies Grow Up to Be Cowboys"
Two of the genre'southward finest unite for a heartfelt warning that cowboys "never stay home and they're ever alone, even with someone they beloved."
George Strait and Alan Jackson — "Murder on Music Row"
"Someone killed country music/ Cut out its centre and soul," Strait laments on the seething duet. It was released in 2000, only the sentiment nonetheless strikes a chord today.
Bobbie Gentry — "Ode to Billie Joe"
What did Billie Joe throw off the bridge? Regardless of the answer, Gentry captivates with every discussion.
Vince Gill — "Go Residue High on That Mountain"
An monumental musical eulogy from Gill, delivered best during times when something moving needs to be heard.
Johnny Greenbacks — "I Walk the Line"
Greenbacks released his ode to temptation in 1956, cementing words in musical history that hold true in 2019.
Marty Robbins — "El Paso"
Complemented past Spanish picking, "El Paso" offers a bloody romance worthy of western songwriting.
Keith Whitley — "I'g No Stranger to the Rain"
The last single released during Whitley'southward lifetime shows the singer peacefully reminding listeners that "I've fought with the devil, got down on his level/ Merely I never gave in, so he gave up on me."
Eddy Arnold — "The Cattle Call"
The Tennessee Plowboy yodels his lonesome call, a sound that would shape country to come.
Reba McEntire — "Fancy"
Written by Bobbie Gentry in 1969, the almighty Reba unleashed fire with her show-closing 1990 version of this song.
Buck Owens — "Human activity Naturally"
A dear song for the starry-eyed dreamers wishing nigh ane day beingness put in the movies.
Trisha Yearwood — "Walkaway Joe"
Zeal turns awry in the honey 1990s ballad from Yearwood.
Lady Antebellum — "Demand You Now"
Behind the band's gorgeous harmony, Lady A sings of a longing some may know besides well.
Shania Twain — "Man! I Experience Similar a Woman"
The 1990s land canticle passed from Generation X mothers for millennial daughters to make their own.
Taylor Swift — "Hateful"
In a characteristically triumphant move, Swift turns a tune nearly scathing critics into the brightest improver of her country music catalog.
Vern Gosdin — "Chiseled in Stone"
A tear-jerking carol worthy of the Land Music Clan'south Vocal of the Twelvemonth honour in 1989.
Blake Shelton — "Ol' Red"
Before information technology was a chain of bars, Ol' Scarlet was the prison dog that helped Shelton's character bosom out (thanks to his cousin's bluetick hound.)
Ronnie Milsap — "Smoky Mountain Rain"
Homecoming leads to heartbreak on Milsap's 1980 chart-topper, wherein the singer "thumbed my way from L.A. back to Knoxville," only to find his honey has moved on.
Tom T. Hall — "Onetime Dogs, Children and Watermelon Vino"
"The Storyteller" drew from a real-life encounter for one of his greatest tales. During a trip to Miami, he met a janitor at his hotel, who told him there were "iii things in this world that's worth a solitary dime."
George Strait — "Amarillo Past Morning time"
The King of Country Music subtly parades his purple status with a crisp story from the route.
Bob Wills and His Texas Playboys — "Stay a Little Longer"
A taste of traditional western swing that but asks listeners to dance all night and stay a little longer.
Alabama — "My Dwelling's in Alabama"
Country music'southward 6½-minute calling bill of fare to the S.
Emmylou Harris and Gram Parsons — "Love Hurts"
Nearly threescore years since beingness initially released — and 45 years since Harris and Parsons' duet — aye, love tin can still hurt.
Ricky Skaggs — "Country Boy"
A slick-picking piece of land music (and No. 1 hit) from one of the finest to selection upwardly an musical instrument.
Ernest Tubb — "Walking the Floor Over You"
A 1941 entry in which Tubbs shares a restlessness in a simple chorus: "I'm walking the floor over yous/ I tin't sleep a wink, that is truthful. I'm hoping and I'yard praying as my center breaks correct in two/ Walking the flooring over you."
Glen Campbell — "Rhinestone Cowboy"
"Rhinestone Cowboy" definedCampbell'due south career. It was a country-pop hit that kept the singer balanced between each world.
Carrie Underwood — "Earlier He Cheats"
Country music has its share of anthems for scorned women, but Underwood's signature song is the gold standard. An instant classic upon its release in 2006.
Charley Pride — "Kiss an Angel Skilful Morn"
With the biggest of his dozens of hits, the Country Music Hall of Famer shared the primal to marital elation: "Kiss an angel skilful morning/ And love her similar the devil when you get back home."
David Allan Coe — "You Never Even Chosen Me By My Name"
John Prine didn't want credit when he co-wrote this buss-off to Music Row. Just it was the perfect bulletin to be delivered by Coe, peradventure land music'due south most infamous outsider.
Willie Nelson — "Bluish Eyes Crying in the Rain"
The Red Headed Stranger narrates a story of emotional messiness with soothing clarity.
Johnny Paycheck — "Accept This Job and Shove It"
It spawned an eternal catchphrase, but don't forget there'south another layer to Paycheck'south alone chart-topper: "My woman done left and took all the reasons I was working for."
Tanya Tucker — "Delta Dawn"
Recorded when she was just 13, Tanya Tucker'southward first haunting hit is ironically about an crumbling Southern belle, one who'southward under the delusion that a long-gone suitor is all the same coming for her.
Patsy Cline — "Crazy"
It'southward been covered by the likes of Neil Young, LeAnn Rimes and Linda Ronstadt, simply no creative person captured Willie Nelson'south lyrical poignancy the way Cline did with her 1961 version.
Keith Urban — "Somebody Like Y'all"
Urban sounds unstoppable on his 2002 chart-topper, a dear song that'south as well wrapped up in his personal redemption.
Garth Brooks — "The Dance"
What 1 song could possibly capture the career of this country music behemothic? How most the 1990 entry showcasing Brooks' unparalleled ability to embody a story worth singing for decades to come?
Charlie Rich — "Behind Closed Doors"
Country love songs didn't go much more suggestive than Rich's 1973 hit.
Tennessee Ernie Ford — "Sixteen Tons"
It may exist one of country's virtually depressing songs, and in this genre, that's saying something. Ford'south across saving in his 1955 recording, equally he's "sold my soul to the company store."
Dwight Yoakam — "Guitars, Cadillacs"
When he institute himself in Hollywood with a broken center and shattered dreams, Yoakam clung to hope with his "guitars, Cadillacs (and) hillbilly music." Soon enough, it made him one of country's biggest stars.
Hank Williams Jr. — "Family Tradition"
While he explained that he was just following in his dad'due south rowdy footsteps, "Bocephus" as well truly stepped out of Hank Sr.'s shadow with this 1979 smash.
Oak Ridge Boys — "Elvira"
Giddy-up! We cartel you to proper noun a vocal that'due south more fun to sing than this Oaks "oom-poppa" classic (named subsequently an East Nashville street).
Ray Charles — "Yous Don't Know Me"
Charles' heartbreaking spin on the Eddy Arnold/Cindy Walker song is the summit of his landmark anthology "Modern Sounds in Country & Western Music."
Kenny Rogers — "The Gambler"
Raise a glass to timeless advice.
Little Big Town — "Girl Crush"
Some radio programmers were terrified of this 2014 song — in which Karen Fairchild sings of wanting to "taste (the) lips" of the woman who has her love involvement's attention — only listeners, critics and Music Row gave it a full cover.
Lee Brice — "I Drive Your Truck"
Brice's powerful 2012 hit was inspired by a true story of a father who establish condolement in driving the truck once owned by his son, who'd been killed while serving in Afghanistan.
Lacy J. Dalton — "16th Avenue"
Several years after she found country stardom, Dalton made certain to tip her hat to those still chasing their dream on Nashville'due south Music Row — aka 16th Avenue South.
Porter Wagoner — "The Greenish, Light-green Grass of Abode"
Before Tom Jones, Elvis and dozens of others put their spin on Curly Putman'due south archetype, Wagoner first made it a hit. In a devastating twist, it turns out he'southward dreaming of his hometown while on expiry row.
Merle Haggard — "Mama Tried"
A slippy lead guitar, Haggard'due south sketched storytelling ... California land with "Mama Tried."
Randy Travis — "Forever and Always, Amen"
Travis lays out his devotion in his signature song, and listeners oasis't stopped loving it since its release in 1987.
Roy Acuff — "Wabash Cannonball"
This folk song about a mighty railroad train had already been passed down for generations when Acuff cutting it in 1936, and his version helped the "Wabash" fable spread around the world.
Guy Clark — "Desperados Waiting for a Train"
Clark penned a cute tribute to his grandmother's fellow, Jack Prigg, "an onetime school man of the world" who would sing "Red River Valley" with the budding songwriter.
Brooks & Dunn — "Believe"
The country duo won multiple awards for this soulful ballad of unwavering faith.
The Highwaymen — "Highwayman"
Merely songwriting great Jimmy Webb could conjure up an epic theme worthy of land'southward greatest supergroup, equanimous of Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson.
Larry Gatlin and the Gatlin Brothers — "All the Gold in California"
In soaring iii-office harmony, the Gatlins issued a warning to all who caput westward with stars in their eyes: "It don't matter at all where you've played before/
California's a make-new game."
Charlie Daniels Band — "The Devil Went Down to Georgia"
In 1979, Daniels found the perfect showcase for his fiery dabble technique — a familiar tale about a male child named Johnny who makes a bet with the devil (and wins).
Joe Diffie — "John Deere Green"
Against all odds, tractors have nothing to practice with Diffie's 1993 song. Instead, "John Deere Green" is the color used to pigment "Billy Bob loves Charlene" on the town's h2o tower.
Earl Thomas Conley — "Holding Her and Loving You"
It doesn't have a chorus, only "Holding Her and Loving Yous" has quite a claw. Conley counts down the hardest things he'll ever exercise, and the vocal'south title tops the listing.
Dixie Chicks — "Wide Open Spaces"
With the championship runway of their quantum anthology — well-nigh a immature woman who'south ready to spread her wings — the Dixie Chicks truly took flight.
Kacey Musgraves — "Follow Your Pointer"
On pinnacle of taking mainstream country into new territory with its "Osculation lots of boys/ Or kiss lots of girls" line, "Follow Your Arrow" was a powerful mission statement from Musgraves, as she's proven to take great creative instincts.
Patty Loveless — "How Tin I Help You Say Goodbye"
"Time will ease your hurting," Loveless sang. That may be truthful, simply this tearjerker about conveying on after a motion, a divorce and the expiry of a parent yet stings 25 years later.
Sugarland — "Stay"
What if "Jolene" could have given her side of the story? On Sugarland's massive 2007 hit, Jennifer Nettles sings from the perspective of a mistress, who begs her lover to stay before deciding she's tired of waiting.
Martina McBride — "Independence Day"
It'due south often falsely causeless to exist a patriotic song, but McBride's triumphant anthem is actually virtually a woman breaking free of an abusive human relationship.
Lee Ann Womack — "I Hope You Dance"
Whether you lot're singing it to your kids, a loved i or yourself, Womack'southward plea to live life to the fullest and have chances truly resonates.
K.T. Oslin — "80'southward Ladies"
Oslin rocketed through the decades on her 1987 hitting, which fittingly sounds very much like a production of its time. "Now we're eighty'due south ladies/ There ain't been much these ladies own't tried."
John Anderson — "Swingin' "
Sure, information technology's near swinging on the porch (is information technology really, though?), simply few country hits havestruttedthe way Anderson's feisty, horn-spiked 1983 hit does.
Nitty Gritty Dirt Band — "Fishin' in the Night"
"You lot and me going fishing in the nighttime/ Lying on our backs and counting the stars." NGDB's archetype is all about uncomplicated pleasures, and listening to it is one, also.
Kenny Chesney — "The Good Stuff"
Kenny'southward bartender teaches him a valuable lesson: "The good stuff" isn't alcohol; information technology's the memories yous make with your loved ones.
George Jones and Tammy Wynette — "Gold Band"
George and Tammy's greatest duet explains that "simply love" can transform a "cold metallic thing" into something more than.
Luke Bryan — "Beverage a Beer"
Bryan didn't write this song, but he fabricated a powerful connection to information technology, relating information technology to the deaths of his blood brother and sister. He sings well-nigh learning of the death of a friend and going to the pier they would sit down at to "scout the dusk disappear and drink a beer."
Lefty Frizzell — "If You've Got the Money, I've Got the Time"
Some things never change. In 1950, Frizzell kicked off his celebrated career with this No. 1 tune virtually painting the town red and going "honky tonkin.'"
Toby Keith — "How Do Yous Like Me Now"
Keith was already an established star, but he didn't really crank upward the attitude until this 1999 hit, in which he rubs his success in the face of an unrequited love.
Waylon Jennings — "Only Daddy That'll Walk the Line"
"Everybody knows you've been stepping on my toes/ And I'm getting pretty tired of it." The outlaw legend is barely property it together on his seething 1968 hit.
Emmylou Harris, Dolly Parton and Linda Ronstadt — "Even Cowgirls Get the Blues"
The iconic trio finds exquisite harmony on a Rodney Crowell composition.
Hank Williams — "Your Cheatin' Eye"
Some consider this Williams entry, a tin can't-miss in country music history, to ascertain the genre.
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